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Panasonic Pro AG-HMC150

>> Wednesday, December 23, 2009

The cooler than cool Panasonic Pro AG-HMC150 drew big crowds at the 2008 NAB Show. Why? Simply because it offers an unheard of Bang for the Buck, in a 1/3 inch three chip hand held tapeless HD camcorder, while retaining the core versatility of the DVX100B. Panasonic Pro AG-HMC150 sports a 28mm lens right out of the box and a new PH Record mode (21 Mbps) which offers higher resolution with a host of recording formats including 24p.

Add to that, amazing low light performance, long record and battery time and professional Audio capabilities at a price that will make it an instant hit with a wide range of AV Shooters, Indie creators and Event video professionals. Panasonic Pro AG-HMC150 represents a major step forward in the introduction of a next generation solid state HD camera that extends the six year successful track record of the popular DVX100 plus a lot more.

Panasonic Pro AG-HMC150’s lightweight (lightest 1/3 inch 3CCD available), well balanced professional design features a high performance wide angle Leica 13X zoom lens, 24 and 30 frame progressive capture, both in 720 and 1080 formats, making it perfect for even high level projects. Designed from a clean sheet of paper with much customer input to Panasonic's product development engineers, Panasonic Pro AG-HMC150 sports a Die Cast Alloy chassis and a Three year warranty (upon customer registration) that further endorses its reliability.

Using the latest in compression technology (AVC High Profile) and widely available SD memory cards as the recording media, Panasonic Pro AG-HMC150 is as easy to use as a digital still camera. The content recorded on the SD card can be directly played on a growing number of affordable consumer players, including select models of Playstation 3, Blu-ray players, plasma screens and PC’s. With most NLE systems now supporting AVCHD, content can be edited and rendered to play in any type of SD or HD playback system.

Dynamic Range Stretch
With DRS ON your customer can capture better Video quality when shooting bright, halftone and dark objects in the same frame. (Bride’s white gown details and the Groom’s shades of tuxedo black.) This clever circuit estimates the gamma curve and knee slope of each pixel’s brightness and applies the estimate on a real time basis. The result is more accurate Video with a visually wider dynamic range.

  • Full range of HD formats : 1080/60i, 1080/30p, 1080/24p (Native); 720/60p, 720/30p, 720/24p (Native)
  • Higher bit-rate recording than consumer models (21 Mbps PH Mode)
  • Three latest design 1/3 inch CCD Progressive Imagers
  • 13X Wide angle 28mm lens out of the box (35mm equiv.), MOD .6 M, 72mm Ø (Shoot in confined spaces with no need to buy an accessory lens)
  • Time Date Stamp for Legal Depositions or surveillance
  • Waveform Monitor, Vectorscope plus two Focus displays for accurate, quick focus
  • Professional XLR audio input connections
  • Time code (DF, NDF, REC RUN, FREE RUN) and USER BIT
  • HDMI out, Component Out (mini D terminal), Composite Video Out and RCA Audio Out jacks
  • External Time Code Link (Slave & Master Preset) uses the Composite Video Out terminal
  • USB 2.0 for file transfer (no need for a VTR)
  • 3.5 inch LCD monitor displays thumbnails for quick non-linear access to clips
  • Remote control connection for Zoom, Focus, Iris, and start and stop functions
  • 14 bit A to D converter and 19 bit Image processing
  • Cinelike Gamma &, DRS Dynamic Range Stretch (Filmaker requested features)
  • Three Neutral Density Filters 1/4, 1/16, 1/64
  • Pre-Record (3 Seconds), Digital Zoom 2X / 5X / 10X (in 1080/60i & 720/60p only)
  • Three User Set Buttons with 11 choices for customizing Camera to Shooter


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